Yeats the Playwright

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Excerpt from Yeats the Playwright: A Commentary on Character and Design in the Major Plays Ince my first book on Yeats was published sixteen years ago I have learnt much from many distinguished students of Yeats's'poetry, but to Birgit Bjersby (the Interpreta tion of the Cuchulain Legend in the Worles of W. B. Yeats), Giorgio Melchiori (articles later incorporated 1n his The Whole Mystery of Art) Thomas Parkinson (w. B. Yeats. Self Critic), and F. A. C. Wilson (w. B. Yeats and Tradition), all of whom have written at length. On the plays, I am more particularly indebted 1n the writing of this book. I regret that Mr. Wilson's second book, Yeats's I conography appeared after the greater part of my work was done, as did an excellent brief account, with superb illustrations, by _d. J. Gordon and Ian Fletcher, in W. B. Yeats: Images of a Poet. Some portions of this book (chapter I in part, Chapter III, Chapter VI, and a section of Chapter VII) have appeared pre viously in periodicals and I am grateful to the editors and pub lishers of The Modern Language_ Review, English Studies, The Review of English Studies, and The Huntington Library Quarterly for permission to revise and reprint them. Thanks are due to the following for permission to reprint copyright material: Mrs. W. B. Yeats and Messrs. Macmillan and Co. For passages from the works of W B. Yeats, Mrs. Yeats and Rupert hart-davis for passages from The Letters of W. B. Yeats, edited by Allan Wade, Messrs. Faber and Faber for a passage from The Translations cf. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.