Y Tu Mamá También
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Paul Julian Smith's study of Alfonso Cuarón's sensual 2001 road movie argues that Y Tu Mamá También not only addresses major issues of gender, race, class, and space, but that the film's apparently casual aesthetic masks a sophisticated audiovisual style. Combining production and distribution history, based on unexplored material held in Mexico City archives, with close textual analysis, Smith makes an argument for Cuarón's film as an enduring masterpiece that hides in plain sight as an ephemeral teen movie.
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