Walker and the Ghost Dance

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Dazzling dramas on American themes from the Nobel laureate On a cold winter's day on the Dakota plains, Catherine Weldon receives a caller, Kicking Bear, bringing news of Indian rebellion. In the fort nearby, a tiny community splinters apart over how to react. In "Ghost Dance, " first performed in 1989, Walcott turns a story with a foregone conclusion -- Sitting Bull and his Sioux followers will die at the hands of the Army and Indian agents -- into a portrait of life at a crossroads of American history. In "Walker, " an opera first performed in 1992 and revised for its revival in 2001, Walcott shifts his attention east, taking for his subject David Walker, the nineteenth-century black abolitionist. In Walcott 's hands Walker becomes a classical hero for his people: a leader who is also a poet.