Uygur Patronage in Dunhuang: Regional Art Centres on the Northern Silk Road in the Tenth and Eleventh Centuries

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This study of local art patronage in tenth and eleventh century on the Silk Road offers a new explanation for the development of the style and iconography of well known paintings today in the British Museum, in London and the Musee Guimet, in Paris exploring the important effect of regional artistic centres on Buddhist art in Dunhuang and China.