Tracing Expression in Merleau-Ponty

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Addresses the guiding yet neglected theme of expression in Merleau-Ponty's thought. Fóti traces Merleau-Ponty's ideas about how individuals express creative or artistic impulses through his three essays on aesthetics, his engagement with animality and the "new biology” in the second of his lecture courses on nature of 1957-58, and in his late ontology, articulated in 1964 in the fragmentary text of Le visible et l'invisible (The Visible and the Invisible).