Touch, Phrasing and Interpretation (Classic Reprint)
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Excerpt from Touch, Phrasing and Interpretation
The intention of these essays is to give a lucid presentment of certain musical questions, which, through involved discussion, and for lack of careful analysis, have become enwrapped in some obscurity.
Many fanciful, and many complicated theories, upon the subject of piano touch, have been published from time to time, and have given rise to lengthy discussions. What is of real practical value to the student is often lost sight of, or is overlaid with obscure doctrinal matter, what is in truth very simple often appears to be both mysterious and involved.
Again, the important subject of phrasing is so often treated carelessly that its doctrines seem to be little better than a sort of cant cult among a large section of the musical public.
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