The Patrioteer (Classic Reprint)

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Excerpt from The PatrioteerDiederich hessling was a dreamy, delicate child, frightened of everything, and troubled with constant earache. In winter he hated to leave the warm room, and in summer the narrow garden, which smelt of rags from the paper factory, and whose laburnum and elder-trees were overshadowed by the wooden roofs of the old houses. Diederich was often terribly afraid when he raised his eyes from his story book, his beloved fairy tales. A toad half as big as himself had been plainly sitting on the seat beside him! Or over there against the wall a gnome, sunk to his waist in the ground, was staring at him! His father was even more terrible than the gnome and the toad, and moreover he was compelled to love him. Diederich did love him. Whenever he had pilfered, or told a lie, he would come cringing shyly like a dog to his father's desk, until Herr Hessling noticed that something was wrong and took his stick from the wall. Diederich's submissiveness and confidence were shaken by doubts so long as any misdeed remained un discovered. Once when his father, who had a stiff leg, fell downstairs the boy clapped his hands madly - and then ran away at full speed.The workmen used to laugh when he passed the workshops after having been punished, crying loudly, his face swollen with tears. Then Diederich would stamp his feet and put out his tongue at them. He would say to himself: I have got a beating, but from my papa. You would be glad to be beaten by him, but you are not good enough for that.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.