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  • The Passing of the Empires: 850 B. C. to 330 B. C (Classic Reprint)

The Passing of the Empires: 850 B. C. to 330 B. C (Classic Reprint)

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Excerpt from The Passing of the Empires: 850 B. C. To 330 B. CBut it is from Egypt that the most revolutionary revelations have come. At Abydos and Kom el-ahmar, opposite ei-kab, monuments have been disinterred of the kings of the first and second dynasties, if not of even earlier princes, while at Negada, north of Thebes, M. De Morgan has found a tomb which seems to have been that of Menes himself. A new world of art has been opened out before us, even the hieroglyphic system of writing is as yet immature and strange. But the art is already advanced in many respects, hard stone was cut into vases and bowls, and even into statuary of considerable artistic excellence, glazed porcelain was already made, and bronze, or rather copper, was fashioned into weapons and tools. The writing material, as in Babylonia, was often clay, over which seal-cylinders of a Babylonian pattern were rolled. Equally Babylonian are the strange and composite animals engraved on some of the objects of this early age, as well as the structure of the tombs, which were built, not of stone, but of crude brick, with their external walls panelled and pilastered. Professor Hommel's theory, which brings Egyptian civilisation from Babylonia along with the ancestors of the historical Egyptians, has thus been largely verified.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.
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