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The Little Review

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Excerpt from The Little Review: A Quarterly Journal of Art and Letters, Autumn, 1921At best one could but clear away a few grosser misconceptions. Gaudier had discriminated against beefy statues, he had given us a very definite appreciation of stone as stone, he had taught us to feel that the beauty of sculpture is inseparable from its material and that it inheres in the material. Brancusi was giv ing up the facile success of representative sculpture about the time Gaudier was giving up his baby - bottle, in many ways his difference from Gaudier is a difference merely of degree, he has had time to make statues where Gaudier had time only to make sketches, Gaudier had purged himself of every kind of rhetoric he had noticed, Brancusi has detected more kinds of rhetoric and continued the process of purgation.When verbally intelligible he is quite definite in the statement that whatever else art is it is not crise des nerfs, that beauty is not grimaces and fortuitous gestures, that starting with an ideal of form one arrives at a mathematical exactitude of proportion. But not by mathematics.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.
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