The Jew in American Cinema

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Placing cinematic representations of the "Jew" within their historicalcontext, Bartov demonstrates the powerful political, social, and cultural impact ofthese images on popular attitudes. He argues that these representations generallyfall into four categories: the "Jew" as perpetrator, as victim, as hero, and asanti-hero. Examples range from film's early days to the present, from Europe, Israel, and the United States.