The Gone Thing

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Monica McClure's second poetry collection excavates inheritances--historical, cultural, familial, and economic--as it alternates between magnified and microscopic views of American life.Born in rural Texas in 1986, the oldest of seven children, and once described by Craig Teicher of NPR as "the poster-girl for a new generation of poets, " McClure revises the nuances of class, race, and clashing identities in a polyvocal style that flows out of her experience as an ambiguous academic turned ambivalent corporate creative, a firsthand witness to rural poverty and its colonial origins, a white Chicana with a vexed position in American society, an educated urbanite with a deep connection to the folklore and wisdom of her agricultural-worker ancestors. THE GONE THING upends traditions of pastoral poetry and bucolic subject matter, using the allegory of land stewardship to sketch a jagged narrative of personal and collective loss. Sometimes self-conscious, often unequivocally sincere, the lines that compose these poems lull and jolt their way across different landscapes: barren political realms, the author's own fertile body, a suffering natural world, and an amnesiac society, in which the speaker works, shops, marvels, suffers, and doesn't die.