Screen Media and the Construction of Nostalgia in Post-Socialist China
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This book traces the cultural transformation of nostalgia on the Chinese screen over the past three decades, exploring how filmmakers from different generations have politically engaged with China's rapidly changing post-socialist society as it has been formed through three mutually constitutive frameworks: political discourse, popular culture and state-led media commercialisation. The book offers a new, critical model for understanding the relationship between filmmakers, industry and the State.
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