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The Choral Society (Classic Reprint)

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Excerpt from The Choral SocietyChoral Societies may be divided into two classes, those which are corporate governed by a committee or officers appointed by the members) and those carried on at the risk and under the sole control of the conductor. The locality, object, and circumstances attending the formation of a new society can alone guide its projectors as to the basis to adopt. When the society is the outcome of Instruction Classes carried on by a teacher (either professional or amateur) the conductor will naturally wish to keep the reins of government in his own hands, asking probably for no more assistance than that of a secretary. The members of such a society, feeling indebted to their conductor for their musical training, will bow to his authority and carry out his wishes without question. The conductor will equally respect the members. He has led them from the alphabet of music to a more or less advanced stage of the art he knows of what they are capable, and he should be the best judge of the steps to take to complete the work which he began, and to the fulfilment of which he may have for years given his best energies. A conductor in this position should think carefully before launching into printed rules, elected officers, and committee. Committees who are not consulted, and officers who have no duties assigned them, resent the unreality of their position, and if the conductor be not ready to let them take their share in the management of the society, dissatisfaction or open rupture will be the result.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.
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