Schwartz (Classic Reprint)

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Excerpt from Schwartz But one morning - it was in November, and the sand tinged foam ¿ecks caught from the stormy bay were thick on the roadway before my window - the fog was thicker and more Obdurate than common. I read and re-read the work of the day before, and the written words conveyed no meaning. In a dim sort of way this seemed lamentable, and I remember standing at the window, and looking out to where the white crests of the waves came racing shorewards under a leaden coloured sky, and saying to myself over and over again, Oh, that way madness lies!' but without any active sentiment of dismay or fear, and with a clouded, uninterested wonder as to where the words came from. Quite suddenly I became aware of a second presence in the chamber, and turned with an actual assurance that some one stood behind me. I was alone, as a single glance about the room informed me, but the sense of that second presence was so clearly defined and positive that the mere evidence of sight seemed doubtful. The day's work began in the manner which had of late grown customary, and in a while the fog gave way to a brilliance unusually ¿ushed and hectic. The uninvited, invisible personage kept his place, until, even with the constant fancy that he was there looking over my shoulder, and so close that there was always a risk of contact, I grew to disregard him. All day long he watched the pen travelling over the paper, all day long I was aware of him, featureless, shadowy. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.