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  • Romola and Theophrastus Such (Classic Reprint)

Romola and Theophrastus Such (Classic Reprint)

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Excerpt from Romola and Theophrastus Such A great temptation had laid hold of Tessa's mind, she would go and take that old man part of her supper, and talk to him a little. He was not deaf like Monna Lisa, and besides she could say a great many things to him that it was no use to shout at Monna Lisa who knew them already. And he was a stranger - strangers came from a long way off and went away again, and lived nowhere in particular. It was naughty, she knew, for obedience made the largest part in Tessa's idea of duty but it would be something to confess to the padre next Pasqua, and there was nothing else to confess except going to sleep sometimes over her beads, and being a little cross with Monna Lisa because she was so deaf, for she had as much idleness as she liked now, and was never frightened into telling white lies. She turned away from her shutter with rather an excited expression in her childish face, which was as pretty and pouting as ever. Her garb was still that of a simple contadina, but of a contadina prepared for a festa her gown of dark green serge, with its red girdle, was very clean and neat, she had the string of red glass beads round her neck, and her brown hair, rough from curliness, was duly knotted up and fastened with the silver pin. She had but one new ornament, and she was very proud of it, for it was a fine gold ring. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.
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