Refractive Africa
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The poet is endemic with life itself, " Will Alexander once said, and in this searing pas de trois, Refractive Africa: Ballet of the Forgotten, he has exemplified this vital candescence with a transpersonal amplification worthy of the Cambrian explosion. "This being the ballet of the forgotten, " he writes as diasporic witness, "of refracted boundary points as venom." The volume's opening poem pays homage to the innovative Nigerian-Yoruban author Amos Tutuola, it ends with an encomium to the modernist Malagasy poet Jean-Joseph Rabearivelo-two writers whose luminous art suffered "colonial wrath through refraction." A tribute to the Congo forms the bridge and brisé vole of the book: the Congo as "charged aural colony" and "primal interconnection, " a "subliminal psychic force" with a colonial and postcolonial history dominated by the Occident. Will Alexander's improvisatory cosmicity pushes poetic language to the point of most resistance-incantatory and swirling with magical laterality and recovery.
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