Philippine Studies: Have We Gone Beyond St. Louis?

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These essays by Philippine and U.S.-based scholars illustrate the dynamism and complexities of the discursive field of Philippine studies as a critique of vestiges of "universalist" (Western/hegemonic) paradigms, as an affirmation of "traditional" and "emergent" cultural practices, as a site for new readings of "old" texts and "new" popular forms brought into the ambit of serious scholarship, and as a liberative space for new art and literary genres.