Musical Representations, Subjects, and Objects

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Jairo Moreno adapts the methodologies and nomenclature of Foucault's"archaeology of knowledge" and applies it through individual case studiesto the theoretical writings of Zarlino, Descartes, Rameau, and Weber. His conclusionsummarizes the conditions -- musical, philosophical, and historical -- that"make a certain form of thought about music necessary and possible at the timeit emerges."Musical Meaning and Interpretation -- Robert S.Hatten, editor