Multiple Realities: Experimental Art in the Eastern Bloc 1960s–1980s

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Published in conjunction with the exhibition of the same name, Multiple Realities: Experimental Art in the Eastern Bloc, 1960s-1980s offers a sweeping survey of experimental art made in six Central Eastern European nations during the 1960s to 1980s. Charting a generation of artists invested in experimentation, the Walker-organized exhibition features artworks rarely exhibited in the United States. Despite their geographical proximity, artists working during this time encountered different conditions for daily life and art-making, confronting varying degrees of control and pressure exerted by state authorities. Embracing conceptual or formal innovation and a spirit of adventurousness, Multiple Realities sheds light on ways that artists refused, circumvented, eluded, and subverted official systems, in the process creating works often riddled with wit, humor, or irony. Drawing on visual art, performance, music, and material culture, Multiple Realities: Experimental Art in the Eastern Bloc, 1960s-1980s brings together works by more than 100 artists from the GDR, Poland, Czechoslovakia, Hungary, Romania, and Yugoslavia. While it presents select canonical figures from the region, the exhibition foregrounds lesser-known practitioners, particularly women artists, artist collectives, and those exploring embodiment through an LGBTQ+ lens"--