In(ter)discipline

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Interdisciplinarity' has dynamized the Modern Humanities like no other recent academic trend. Yet, this presents serious challenges involving both translation and affect: how can we transmit facts and interpretations between disciplines, between different artistic media, between cultures, between the private and the public sphere? Some of the most distinctive voices in criticism from literature, music, the visual arts, psychoanalysis and philosophy, amongst others, show here their commitment to comparative thinking.