Harmonia
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Harmonia, "harmonies, " analyzes the connections between glitch art, visual music, abstraction, and motion pictures. It is a theory and a critique of visual music.This collection is a chronological survey of artistic research into, around, and with digital motion pictures. The result unveils a theory of both visual music and abstraction, one that is directly connected to a critical engagement with the socio-cultural meaning of "visionary art" that builds on the work of Umberto Eco and Michel Foucault to engage with the historical films of John Whitney, Mary Ellen Bute, Mark Hallock-Greenewalt, and Stan Brakhage. Included are the essays "The Aura of the Digital, " "The Invention of Glitch Video, " and "Welcome to Cyberia" along with many other talks, publications, and analyses of glitch art and visual music, surveying glitch art pioneer Michael Betancourt's critical/theoretical engagements with these art forms.
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