Expository Writing

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Excerpt from Expository Writing: Materials for a College Course in Exposition by Analysis and Imitation, Compiled and Edited, With Questions and ExercisesAccording to method and purpose, two kinds Of expository writing may be distinguished, which we may call, for want of more exact designations, scientific exposition, and familiar exposition. In scientific exposition, the writer selects a sub ject within his powers, states it clearly and accurately, gathers material by careful thinking and reading, and develops it into a serious, thorough, and sustained piece Of explanation. The writings of Macaulay, Huxley, Bryce, Tyndall, Mill, Spencer, Newman, are examples of this type Of exposition showing its severity of method and careful accuracy.Familiar exposition, on the other hand, is generally looser in structure and aims to give the personal impressions Of the writer, his whims and fancies, in a manner resembling the easy confidential tone Of conversation. The subjects chosen are usually of a light character, and an original point of View is not infrequently presented. The essays of Charles Lamb, Steele, Addison, Thackeray, and Stevenson are illustrations of this type of exposition. It was this looser type of exposition which first gave vogue to the term essay, but the development of this form of literature has been SO markedly away from a subjective, personal, and leisurely discussion towards an Objec tive, concentrated, and unemotional method, that when we hear the word essay to-day we think rather of the scientific exposition than the familiar.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.