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  • Diary of John Mannigham, of the Middle Temple, and of Bradbourne, Kent, Barrister-at-Law, 1602-1603 (Classic Reprint)

Diary of John Mannigham, of the Middle Temple, and of Bradbourne, Kent, Barrister-at-Law, 1602-1603 (Classic Reprint)

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Excerpt from Diary of John Mannigham, of the Middle Temple, and of Bradbourne, Kent, Barrister-at-Law, 1602-1603 The original of Manningham's Diary, which is here printed, is No. 5353 in the Harleian collection of MSS. in the British Museum. It is a diminutive 12mo. volume, measuring not quite six inches by four, and containing 133 leaves. The handwriting, of which an admirable representation is given in the fac-simile prefixed, is small, and in the main extremely legible, yet in some few places, from haste in the writer, from corrections, from blotting, from the effects of time, and from other obvious causes, difficulties have occurred in a word or two, which, even with the assistance of gentlemen most skilful in reading the old hands, have not been entirely overcome. The few instances in which the collater has been baffled are indicated by marks of doubt. The first historical writer who noticed this little volume for a literary purpose was Mr. John Payne Collier. In his Annals of the Stage, published in 1831 (i. 320), Mr. Collier quoted from this Diary various passages connected with his special subject, and drew attention to the principal personal facts disclosed by the writer respecting himself, namely, that he had many relations in Kent, and had probably been a member of the Middle Temple. The late Mr. Joseph Hunter was the next writer who used the work for an historical purpose. With his well-known fondness for genealogical inquiries he applied himself to determine who the writer was whom Mr. Collier had designated merely as a barrister. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.
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