Catalogue of the Engraved and Lithographed Work of John Cheney and Seth Wells Cheney (Classic Reprint)

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Excerpt from Catalogue of the Engraved and Lithographed Work of John Cheney and Seth Wells CheneyHis Catalogue is the outcome of admiration and of re gret, - admiration for the excellent work described in it, regret that the authors of this work, and more especially john cheney, to whose graver is due the larger part of it, should have lived in a place and at a period which made the full develop ment of artistic genius an impossibility, blighted it before its time, and necessarily robbed it of the fruits which were its due.It has been said that the fate of genius is to die in the gut ter and have its name misspelled in the Gazette. The asser tion is not true, on the whole, more especially to-day, and it goes without saying that John Cheney's character, even Without the well-known enterprise of his family, would have made the ap plication to him of its first half, if only as a figure of speech, utterly impossible. But one is forcibly reminded of the conclu sion of the saying by the treatment he received, not only at the hands of the public at large, but even from the official, although self-appointed, guardians of the fame of those who added to the glory of the nation. John Cheney's best engraved work, such plates as The Guardian Angels, The Young Princess, Les bia, The Orphans, The Tom Hat, Egeria, the heads of Mrs. Blodgett and of Martha Washington, after Stuart, etc., and even such vignettes as that described under No. 38 of his work in this Catalogue, are unexcelled of their kind, in delicacy where needed, in force and in suggestion of color Where these are called for, in nobility and simplicity of workmanship always.In work of the kind which it fell to John Cheney's lot to do.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.