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  • Catalogue of Coins in the Panjab Museum, Lahore, Vol. 2

Catalogue of Coins in the Panjab Museum, Lahore, Vol. 2

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Excerpt from Catalogue of Coins in the Panjab Museum, Lahore, Vol. 2: Coins of the Mughal Emperors Research in that branch of Indian numismatics comprising the issues of the Mughal Emperors of India, is a growth of recent date. Mr. C. J. Rodgers of Amritsar was the first regular worker on these important coins. As his Mughal Cabinet has now been merged into a combined Collection of all the coins of this series in the Museum, the Catalogue of which will supersede his own, I feel that this is a fitting place in which to pay a tribute to his work. He inherited the numismatic traditions of General Cunningham, and was at first a worker in the same field, that of the ancient coins of India. He soon quitted this to specialize in the coins of Dehli, and the numerous papers on this subject from his pen which appeared principally in the Journal of the Asiatic Society of Bengal between the years 1880 and 1895, testify to his industry and enthusiasm. They were beautifully illustrated from his own drawings. The Supplements to Edward Thomas's Chronicles of the Pathan Kings of Dehli deserve special mention. Mr. Rodgers' numismatic labours were crowned by the production of Catalogues of the Indian Museum Collec tions, and of the Government Collection and his own Cabinet in the Lahore Museum. These were completed by the year 1894, and were followed by one or two more papers. Mr. Rodgers died in the year 1897. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.
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