Calendar of the Patent and Close Rolls of Chancery in Ireland, Vol. 2

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Excerpt from Calendar of the Patent and Close Rolls of Chancery in Ireland, Vol. 2: From the 18th to the 45th of Queen ElizabethEncouraged by the kind reception bestowed on the first volume, and the ¿attering commendations of the Lord Chancellor, the Masters of the Rolls of Ireland and England, and other high judicial and official personages, I have, in this volume, concluded the Calendar of the Patent Rolls to the end of the reign of Queen Elizabeth. The limits of an introduc tion necessarily forbid a detailed notice of our voluminous anglo-irish records, and in the preface to the first volume of this work, I was prohibited from more than hastily advert ing. To the inexhaustible stores of information they afford to the historian and the legal inquirer, and the valuable evidences they contain illustrative of the period they embrace. But it became essential, in limine, to invite public attention to those important, but comparatively unknown, materials for our early history, and to give a succinct résumé of the Rolls and Records of which the work purports to be a Calendar. To this hasty narrative my limits reluctantly confined me to have entered more into detail would have, perhaps, com plicated that which it was my intention to elucidate, and I reserved to myself the right of again referring to a subject interesting, I trust, to the scholar and the antiquary, and to which reference has been so seldom made.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.