Blue Velvet
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Michael Atkinson's intricate and layered reading of David Lynch's 1986 Blue Velvet shows how crystallises many of Lynch's chief preoccupations: the evil and violence underlying the surface of suburbia, the seedy by-ways of sexuality, the frightening appearance of the adult world to a child's eyes, presenting it as the definitive expression of the traumatized innocence which characterizes Lynch's work.
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