Birthright

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Excerpt from Birthright: A Play in Two Acts Birthright, the strongest part of the opening programme, is a depressing sort of tragedy, because 'it leaves the spectator feeling that he can do nothing to avert such untoward events. Its power lies in the faithfulness of the whole action to plausibility, and in the inevitable clash between the opposing elements of the plot. Maura Morrissey shielded her elder son, Hugh, because he has always been the weaker, while Bat, her husband, openly favored Shane, because he was the farmer. So Bat decided to send Hugh in Shane's place to America, and give the estate to Shane. Caring less for the land than for the loss of his birthright, Hugh taunted Shane, and finally provoked a fight, which ended in Hugh's death at his brother's hands. An. unhappy play, yet undeniably effective, Birth-right has plenty of gloom and presage of fate, without any. morbidity. All the characters are wholesome: their misfortune lay simply in being compelled to live together. This the actors emphasized peculiarly, for their spirit throughout the tragedy seemed far move important than their stage business. Their gravity incited a curious mental state in the listener, where their acting might have failed. This was particularly true of Eileen O'Doherty, who looked like a refined young lady pretending to be an old peasant woman. The four men were more convincing, although none of their delineations surpassed in charm the maternal trait in Maura Morrissey. J. A. O'Rourke as the loquacious neighbor, Sydney J. Morgan as the stubborn old father, J. M. Kerrigan as the practical son, and Fred O'Donovan as the dreamer, played with fidelity and succeeded in at least one unique achievement - obtaining the sympathy of the audience for each character. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.