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  • ANJALI ( Panjaboodha kadhaigal) / &#2949,&#2974,&#3021,&#2970,&#2994,&#3007,: &#2986,&#2974,&#3021,&#2970,&#2986,&#3010,&#2980,&#2965,&#3021, &#2965,&

ANJALI ( Panjaboodha kadhaigal) / &#2949,&#2974,&#3021,&#2970,&#2994,&#3007,: &#2986,&#2974,&#3021,&#2970,&#2986,&#3010,&#2980,&#2965,&#3021, &#2965,&

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These stories do not appear in the order in which the Panchaputhas appeared. These stories are joined here in the order in which they appeared. Jamatakni (Agni) in the last two to three months of Taranganik (water). Purani (Earth) a few months after that. Gayatri (wind) about two years after Purani. Eka (sky) eight years later. In all, it took twelve years to complete the series. "He wrote a series called Magazines. Now he says another line called the Panchapootas. Will Doll come to write to him with a fence like this? " Asked by a friend (I did not sneer at him), it reached me while this set was being developed. This question can be answered in two ways. Both apply. We say liberation, liberation. Can liberation really be achieved? Is there really such a thing as complete liberation? What is the difference between a fence and a head? Liberation can be thought of as the expansion of the creatures that reach the fence city by city. Therefore, the fence and the liberation are both mentalities. I have tried to explore in these metaphors the gradual liberation of the Weli mentality. This is the purpose of these stories, the tribute to life, La. sa. Ramamirutham
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