A Study of the Thaïs Legend With Special Reference to Hrothsvitha's "Paphnutius"

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Excerpt from A Study of the Thai¿s Legend With Special Reference to Hrothsvitha's "Paphnutius": A Thesis It cannot be my purpose to attempt anything so ambitious as that here. My aim will be to trace the Thais legend from its obscure beginnings to Hrotsvitha, through the Middle Ages, to its resuscitation by Anatole France and his imitators. Hrots vitha's version will be especially stressed and made more promi nent by attempting an English translation of her play, not only because this was the first purely literary use made of the Thais legend but because it was of great in¿uence on Anatole France 's novel. Although it is a very difficult and hazardous matter to try to show analogies between two authors with such divergent aims and difference in complexity, separated by more than a millenium, an attempt will nevertheless be made to point out a few of the more obvious details in which the French novelist followed our holy nun. This subject first suggested itself to me while writing a paper on Hrotsvitha for the Germanic Seminar of 1919-20 under the of the University of Pennsylvania, whose kind assistance and encouragement have been of the greatest help to me not only in the preparation of this dissertation but also in my work in the Graduate School and before that, in the College. Grateful acknowledgment is also due him and to Dr. B. W. Mitchell of Central High School for careful proof-reading. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.