A Study of the Middle-English Poem Known as the Northern Passion and Its Relation to the Cycle Plays
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Excerpt from A Study of the Middle-English Poem Known as the Northern Passion and Its Relation to the Cycle Plays: A DissertationThe French poem chosen as the basis of the N orthern Passion was well suited to purposes of entertainment and instruction the narrative was brief and not overloaded with homiletical passages, and the legendary matter copious enough to relieve the soberness of. The Biblical narrative, though not so grotesque as to shock by its extravagance. Nevertheless, the French poem was not thought by the English author to be beyond improvement he rearranged the narrative, omitted some extra-biblical incidents, and added several new traditions which had sprung into popularity during the hundred years since the composition of the French poem. It is not easy to discover the principle which governed the translator in making these changes. Obviously he was not actuated by a desire to conform to the canonical Scriptures, for though some legendary details are omitted, others are introduced, and while parts of the narrative are rearranged in accordance with the customary order of events, others are rewritten in a form which is even further from the Gospels than is the French poem. One fact, however, is clear, namely, that the author treated his material more and more freely as he advanced in his work the opening portion of the N orthem Passion may fairly be called a translation of the French Passion the second half is an adaptation. Yet throughout the author preserved in his rendering the popular characteristics of the original poem, so that the highly coloured narrative, for the most part unadorned by homily, enforces its lesson by example rather than by precept.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.
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