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  • A Handbook of Greek and Roman Coins (Classic Reprint)

A Handbook of Greek and Roman Coins (Classic Reprint)

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Excerpt from A Handbook of Greek and Roman CoinsThe attempt has often been made to condense into a small volume all that is necessary for a beginner in numismatics or a young collector of coins. But success has been less frequent, because the knowledge of coins is essentially a knowledge of details, and small treatises are apt to be um readable when they contain too many references to particular coins, and unprofitably vague when such references are avoided. I cannot h0pe that I have passed safely between these two dangers, indeed, my desire has been to avoid the second at all risk of encountering the former. At the same time it may be said that this book is not meant for the collector who desires only to identify the coins which he happens to possess, while caring little for the wider problems of history, art, mythology, and religion, to which coins sometimes furnish the only key. It is meant chie¿y as a guide to put students of antiquity in the way of bringing numismatics to bear on their difficulties. N o attempt, therefore, has been made to avoid controversy Where any profitable stimulus seems likely to be provided by the discussion of doubtful questions. The comparatively full references and the bibliography are also added with the aim of making the book an introduction to more advanced works, rather than a more or less self contained statement of the elements.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.
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