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  • A Biblical Introduction, Vol. 1 (Classic Reprint)

A Biblical Introduction, Vol. 1 (Classic Reprint)

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Excerpt from A Biblical Introduction, Vol. 1 Brief notes as to the light thrown by Assyrian, Babylonian, and other inscriptions on the history of Israel have been added to the passages of the historical books which they illustrate. Under each book, or - where the present books are collections of earlier works - under each section, some account is given of its use in the New Testament, this account, however, is not exhaustive. The references to Driver's Introduction are to the Sixth Edition, but, except where specially stated, the numbers of the pages are those of the Fifth and earlier editions, which are given in brackets [ ] in the text of the Sixth. Special attention is called to the explanation of symbols and technical terms on pp. 15 ff., 24 f., 32, 62 n. This account of Biblical criticism is published in the faith that "Any criticism of the human element in the Bible, which makes it more truly human, more analogous to the workings of the human spirit other-where, tends without question to enhance our sense of its reality and worth." The authors of this volume trust that it may help its readers to a truer understanding of the sacred Scriptures, and to a fuller appreciation of their unique importance, and may confirm them in the evangelical recognition of the supreme authority of the Bible as interpreted and applied by the Holy Spirit for the spiritual life. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.
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